Perot Museum Of Nature And Science

From EjWiki

Jump to: navigation, search

You got ta hand it to Morphosis. Whatever you feel or believe about the work produced, the tenacity and audacity which is continually shown and restored in each job produced by Morphosis is without parallel. The Perot Museum of Nature and Science, located in Dallas, Texas, is a prime example. It's certainly a Morphosis building, yep. It's that additional push. Maybe that's what makes their work so renowned. There is a particular point when a building becomes a meaningful whole, worthwhile of being developed and inhabited. Morphosis appear to reach that point and after that do a few extra things that others wouldn't consider and possibly aren't truly needed, however definitely make the distinction between worthwhile and of worth. Below are the words given by Morphosis on their site. There are a lot of them, however with how interesting the building is, do you truly think the words describing it could be anything but?
Museums, armatures for collective societal experience and cultural expression, present new methods of analyzing the world. They include knowledge, preserve information and transmit ideas; they stimulate curiosity, raise awareness and develop chances for exchange. As instruments of education and social change, museums have the potential to shape our understanding of ourselves and the world in which we live.
As our global environment faces ever more crucial difficulties, a wider understanding of the interdependence of natural systems is ending up being more necessary to our survival and evolution. Museums dedicated to nature and science play a key role in expanding our understanding of these complex systems.
The new Perot Museum of Nature and Science in Victory Park will produce a distinct identity for the Museum, enhance the institution's prominence in Dallas and enhance the city's evolving cultural fabric. Developed to engage a broad audience, revitalize young minds, and influence marvel and interest in the daily lives of its visitors, the Museum will cultivate a memorable experience that will persist in the minds of its visitors which will eventually widen people' and society's understanding of nature and science."
The Museum will aim to accomplish the greatest standards of sustainability possible for a structure of its type. High-performance style and incorporation of state of the art innovations will yield a new structure that will reduce its influence on the environment. This first-rate facility will motivate awareness of science through an interactive and immersive environment that actively engages visitors. Declining the notion of museum architecture as a neutral background for exhibits, the new building itself becomes an active tool for science education. By incorporating innovation, nature, and architecture, the structure promotes and demonstrates clinical concepts curiosity in our natural surroundings.
The immersive experience of nature within the city starts with the visitor's approach to the museum, which leads through two native Texas ecologies: a forest of large native canopy trees and a balcony of native desert xeriscaping. The xeriscaped terrace gently slopes up to link with the museum's renowned stone roofing system. The overall structure mass is conceived as a big cube drifting over the website's landscaped plinth. An acre of undulating roofscape comprised of rock and native drought-resistant turfs show Dallas's indigenous geology and demonstrate a living system that will evolve naturally with time.
The intersection of these 2 ecologies specifies the main entry plaza, a gathering and occasion location for visitors and an outside public area for the city of Dallas. From the plaza, the landscaped roofing system raises up to draw visitors through a compressed space into the more extensive entry lobby. The topography of the lobby's undulating ceiling shows the dynamism of the exterior landscape surface, blurring the distinction between within and outside, and connecting the natural with the manmade.
Moving from the compressed space of the entry, a visitor's look is drawn up through the skyrocketing open volume of the sky-lit atrium, the building's main light-filled blood circulation space, which houses the building's escalators, elevators, and stairs. From the ground floor, a series of escalators bring customers through the atrium to the uppermost level of the museum.
The course descending from the top flooring through the museum's galleries weaves in and out of the structure's primary flow atrium, alternately linking the visitor with the internal world of the museum and with the external life of the city beyond. The visitor becomes part of the architecture, as the eastern dealing with corner of the building opens towards downtown Dallas to reveal the activity within. The museum, is therefore, a fundamentally public structure-- a structure that opens up, belongs to and triggers the city; ultimately, the public is as essential to the museum as the museum is to the city.



The Museum will make every effort to accomplish the highest requirements of sustainability possible for a structure of its type. Turning down the idea of museum architecture as a neutral background for exhibits, the new structure itself ends up being an active tool for science education. Moving from the compressed area of the entry, a visitor's gaze is drawn upward through the skyrocketing open volume of the sky-lit atrium, the building's primary light-filled flow area, which houses the structure's elevators, escalators, and stairs. The path descending from the leading flooring through the museum's galleries weaves in and out of the building's primary flow atrium, at the same time linking the visitor with the internal world of the museum and with the external life of the city beyond. The museum, is hence, a fundamentally public building-- a building that opens up, belongs to and activates the city; ultimately, the public is as important to the museum as the museum is to the city.

Personal tools