Ron Kadarishko
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| - | Ron Kadarishko (1975, Vancouver, Canada) creates photos, media artworks, media art and movies | + | [http://ronnykadarishkoblog.blogspot.com Ron Kadarishko] (1975, Vancouver, Canada) creates photos, media artworks, media art and movies.<br>His media artworks directly respond to the surrounding environment and uses everyday experiences from the artist as a starting point.<br><br> [http://search.huffingtonpost.com/search?q=Frequently&s_it=header_form_v1 Frequently] these are framed instances that will go undetected in their own own [http://www.wired.com/search?query=original+context original context]. With a conceptual strategy, he tries to approach a wide scale of subjects in a multi-layered manner, enjoys to involve the viewer in a way that is sometimes physical and believes in the notion of function following type in a work.<br>His works sometimes radiate a latent and cold violence. Occasionally, disconcerting beauty emerges. The inherent visual seductiveness, together with the conciseness of the exhibits, further complicates the reception of their manifold layers of meaning. By [http://Ccmixter.org/api/query?datasource=uploads&search_type=all&sort=rank&search=exploring&lic=by,sa,s,splus,pd,zero exploring] the idea of landscape in a nostalgic way, he seduces the audience into a world of equilibrium that is ongoing and also the interval that articulates the stream of daily occasions.<br><br> Minutes are depicted that just exist to punctuate the predicament that was human to uncover poetic meaning in everyday life and so as to clarify our existence.<br>His works create that imagined by a link between the landscape's reality's conceiver and it. These works focus on real questions that ascertain our existence. |
Revision as of 06:36, 6 January 2015
Ron Kadarishko (1975, Vancouver, Canada) creates photos, media artworks, media art and movies.
His media artworks directly respond to the surrounding environment and uses everyday experiences from the artist as a starting point.
Frequently these are framed instances that will go undetected in their own own original context. With a conceptual strategy, he tries to approach a wide scale of subjects in a multi-layered manner, enjoys to involve the viewer in a way that is sometimes physical and believes in the notion of function following type in a work.
His works sometimes radiate a latent and cold violence. Occasionally, disconcerting beauty emerges. The inherent visual seductiveness, together with the conciseness of the exhibits, further complicates the reception of their manifold layers of meaning. By exploring the idea of landscape in a nostalgic way, he seduces the audience into a world of equilibrium that is ongoing and also the interval that articulates the stream of daily occasions.
Minutes are depicted that just exist to punctuate the predicament that was human to uncover poetic meaning in everyday life and so as to clarify our existence.
His works create that imagined by a link between the landscape's reality's conceiver and it. These works focus on real questions that ascertain our existence.
